Winter Sunrise on Delaware River

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Winter Sunrise on Delaware River
Washington’s Crossing State Park, NJ/PA
Morning clouds briefly alit before giving away to a clear day at Washington’s Crossing.
Visit Washington’s Crossing State Park –

Pond Run Creek

Today I made the drive from New Jersey to the not-too-distant scenic destination of Bushkill Falls.  The walkway around the series of waterfalls can be very busy on weekends, but a cool and overcast Monday morning only brought a few dozen admirers out to explore the network of trails.  I did shoot some panoramas as well as straightforward single frames of the cascades, but I really liked the view of the clear water in the creek bend that you can see below:

Fine Art Nature Photography

A wideangle lens angled downwards provide a dramatic view of a bend in the creek at Bushkill Falls in Pennsylvania. Photo taken with the Canon EOS-M camera and the Tamron 18-270mm VC lens.

The above photo was taken with the Tamron 18-270mm VC lens and the tripod-mounted Canon EOS-M mirrorless camera.  Exposure settings: 1.6s F/14 1SO 100

Fog on Lake Jean

Having woken up at 4AM to make a sunrise trek from New Jersey to Ricketts Glenn, I had tripod in hand and was ready to capture mirror-like images of the morning sun hitting the horizon over Lake Jean.  However, that wasn’t to be, the dense fog rendered visibility to about 20 feet.  Not a problem!  When interesting atmospheric and weather conditions occur you just roll with the punches!

PA Fine Art Photo

Long exposure landscape photo of a foggy morning at Ricketts Glen State Park in Pennsylvania.

The above photo was taken with the Tamron 18-270mm VC Lens and the Canon EOS M Compact Systems Camera with the shutter at 5seconds, an aperture of F/13, and ISO 100.  Taken in Aperture Priority Mode with -1/3 exposure compensation dialed in.  Carbon fiber tripod, Spot Metering, 2-second delay, Auto White Balance, RAW image format.

Beech Leaf and Cascades

This morning I had the pleasure of meeting up with Ed Heaton, a Tamron Image Master, renowned  for his landscape photography expertise and his equally talented son Zach to capture some views of Autumn in Pennsylvania.

Most of my photos today were with the Tamron 14-150mm Di III Lens and my Olympus PEN E-PL3 Micro Four Thirds Camera.  A small and lightweight combo that can capture a great diversity of scenery.  Here is one of my favorites:

Fine Art Waterfall Photograph

Autumn in Pennsylvania captured with the Tamron 14-150mm Di II Lens and the Olympus PEN E-PL3 Micro Four Thirds Camera.

Camera settings: 14mm (28mm equivalent) @ 1/2s F/9 ISO 200.  Aperture Priority Mode -2/3 EC, Auto White Balance, RAW file format, Spot Metering, 2-second delay.  Camera mounted on Benro carbon fiber tripod.

Optimizing Photo Contrast for the Web: Creek and Fallen Leaves

In my fairly early years of photography, I got caught with the ETTR bug.  Is that a fatal virus?  Nope.  ETTR is an acronym which stands for Expose To The Right.  This ideology is based on the idea that a bright exposure with a histogram pushed as for towards the right (brightness side of histo) is the path to maximum image quality in long run. When exposing to the right, a user wants to make sure the highlights are not clipped or blown out of gamut.  Lost highlights can’t be recovered much, there are no x’s and o’s on your memory card for your camera or computer to look at.  On the flip side, having a slight overexposure of your shadow areas DOES bring in extra information in the pixels.

RAW PhotoShop workflow

A side-by-side comparison of my post-processed file versus the SOOC shot.

The above illustration hopefully shows how I “season to taste” on a landscape photo that I took yesterday.  Setting the black level and white level can be a matter of personal preference, there are no hard-set rules.  I like my pictures to tell a believable tale by retaining the integrity of the scene but I also want plenty of contrast so that my upload or print will “pop”.  For this particular photo I used the Curves tool to bring the dark areas from a medium tonality to a darker tonality.  This provides greater separation between the highlights, midtones, and shadows.  I’ve also added a slight vignette which helped to “burn in” some bright corners from the original photo.

NJ Landscape Photographer

Optimized image, originally exposed to the right. Taken with my Tamron 18-270mm VC Lens and my Canon EOS M 18.0 MP Compact Systems Camera. Manfrotto tripod used for stability and a 3-stop Neutral Density filter was used to lengthen exposure time.

Finalized photo is above.  A landscape nature frame taken in Pennsylvania.  The equipment used includes a Tamron 18-270mm VC Lens, a Canon EOS M Camera, a 3-stop Neutral Density Filter, and a Manfrotto Tripod.  Metadata: 2.5s F/13 ISO 100, 27mm in Manual Mode.