Merrill Creek Reservoir, Warren County NJ
Subtle tones of pink shone in the sky on a late January afternoon.
Sigma 17-50mm + Canon EOS M50
Late Day Light Through Pines
Jonathan’s Woods, Morris County NJ
A December’s day draws to an end near the former Cathedral Pines area.
In-camera HDR taken with the Sigma 17-50mm OS F/2.8 lens + Canon SL2 200D DSLR.
March 3, 2018 in Jefferson, New Jersey.
This must have been quite a view for the rail workers many years ago when the Ogden Mine was operational. Per the Morris County Park Commission: “This is the largest park in the Morris County Park System, encompassing 3,346.07 acres of beautiful near-wilderness and recreational areas.”
I recently purchased a “gray market” Canon 5DsR dslr camera brand new in box on ebay for $2100. That is incredible savings as I see the USA version selling for $3700 today (March 4th) on B&H!
Several friends have asked me if I bought a 50 megapixel camera so that I can crop more often. Quite the contrary, I hope to not crop AT ALL! My goal is to achieve the most detailed images I can in-camera and to offer massive prints of landscapes, wildlife, macro, and possibly even some street photography. I do think it is important to “go big or go home” with visual arts especially when the subject matter has the potential to create an immersive experience.
I have been underwhelmed by the impact of some of my past photography exhibits. I have often printed to 12″x 18″ from previous 18 megapixels camera like my trust old Canon 7D. While I was happy with the image quality, I find that typical photograph print sizes are easily lost in the shuffle and quickly forgotten to most viewers. If you truly believe in your technique and your subject matter you must push your activity to the limit and rise above. When there is an opportunity to overachieve, why not do so?
The final pixel county of my merged wintery image is 21227 x 8469 pixels. If printed at 300dpi for extra find detail that could be a projected size of 70″ x 28″. A 150dpi print resolution which can still render a nicely detailed print I could print to 141″ x 56″! Does the average person need an 11 foot print? No, most decidedly not. However, the local hospital, college campus, or hotel lobby might be looking for some original nature art to spruce up their facility.
Do you have any questions or comments on the location, my photograph, photography techniques, or New Jersey Fine Art Print Installations? Leave a comment here, or contact me at email@example.com
If you are available, come join the fun and celebration of local art with us for the opening of the 2017 New Jersey Highlands Juried Art Exhibit in Morristown.
One of my favorite photos of 2017, “Kincaid Woods in Summer” will be shown along with other finalists including local paintings, photographs, and mixed media pieces.
My limited edition artwork is matted and framed to 18″x24″. I have hand numbered both the mat and the print as #1 of 25 using an archival quality Micron fine art pen. The mat and print are also hand signed.
Thursday, January 11th 2018 5:30PM
6 Normandy Heights Road
Morristown, NJ 07960
Light refreshments will be provided
Please RSVP by January 8, 2018 to Julia Somers at Julia@njhighlandscoalition.org
Full details of the Juried Highlands Art and Photography below
Public display dates:
January 9, 2018- February 18, 2018
The New Jersey Highlands Coalition hosts the Highlands Festival to raise awareness about the natural resources of the NJ Highlands region. The 5th annual Juried Highlands Art and Photography Exhibit, which coincides with this festival, will feature a selection of works featuring the landscapes, flora, fauna, natural, cultural and/or historic resources of the Highlands of New York, New Jersey, Pennsylvania, and Connecticut.
Curated by New Jersey photographer and Coalition trustee Dwight Hiscano, juried by a panel of prominent local artists and gallery owners, and judged by Alexandra Willis, curator for the Morris Museum.
About the New Jersey Highlands Coalition:
The New Jersey Highlands Coalition hosts the Highlands Festival to raise awareness about the natural resources of the NJ Highlands region, to promote the missions of the NJ Highlands Coalition’s 80+ nonprofit member organizations, and to fund the Small Grants Program which supports local grassroots organizations. As a nonprofit organization in Boonton, New Jersey, the New Jersey Highlands Coalition works to protect, restore, and enhance the water and other natural and cultural resources of New Jersey’s Highlands, now and for the future.
It has only been a couple of weeks now since I purchased the new Tamron SP 15-30mm F/2.8 Di VC wide angle lens for full frame. I bought the lens to further invest in my real estate / architectural photography work, but naturally I will still give the SP 15-30mm a workout with my outdoor shooting. I am pairing the lens to both my Canon 6D and also my Sony A7R (via Fotodiox Pro adaptor).
As expected the lens was ready to go as soon as I opened the packaging. The frontmost element is bulbous, which is just a fact of the matter when using such an extremely wide POV with a fast F/2.8 aperture. The finely crafted incorporated lens hood and also the slide-on lens cap do well to protect the front element. There is also no threading for filters on the SP 15-30mm, although after market adapters seem to be springing up. I have not tried any filters with the lens yet.
So what do I really think of the SP 15-30mm VC?
It is wide on full-frame, very wide. When effectively composing a landscape photo at the lens’s broadest field of view we get a grandiose amount of scenery captured in a single frame. Knowing how to use an ultra wide lens to its full potential will be a challenge to new comers.
The SP 15-30mm VC is also extremely sharp. Fine detail is recorded throughout the entire frame. I am confident that my landscape photography will come to life in large prints after reviewing my camera raws. Expectedly, there is an acceptable level of distortion in the corner of the frames. I actually enjoy the slight “cathedral-effect” on my nature photographs but distortion is easily corrected in all camera raw converters.
Tamron’s SP 15-30mm VC is a sleek and attractive full frame lens capable of creating sleek and attractive photos. I look forward to using the lens for future low-light and night sky shooting. With the current retail price-point near $1200 Tamron has provided a great deal of value at a nice price point.
To view my most recent uploads:
For Fine Art prints or updates on my upcoming gallery showings contact me at firstname.lastname@example.org
My goal in nature photography is generally to have my photos look very realistic, yet also portray a flattering impression of whatever laid in front of myself and my tripod. While out shooting yesterday, I was fortunate to have overcast lighting and also some dramatic clouds. More or less the ideal conditions for photographing scenery. The histogram on my DSLR was showing that I was losing a smidgeon of highlight data within my first exposures, so the easy solution was to bracket exposures and blend in post-processing.
For both photos below, I initially shot different exposures, bracketed 2/3 of a stop over and under my baseline capture. Within Photoshop I used the “HDR Pro” option and selected the “Highlight Compression” option to maximize details in my highlight regions. I then used a Levels Adjustment to add some pop back into my shots.
Unsure how to bracket your photos? Your camera’s manual most likely contains that info, otherwise a quick Google search for bracket photography exposures will lead the way. Don’t know how to blend exposures or execute HDR? Ask Google, there are many great tutorials. Technical and software skills such as these are requirements of modern digital photography. Learning to look up tutorials on your own and interpret them is an even more valuable skill. The info is out there, if you seek it.
My favorite nature photos, especially landscapes are often taken in the most brutal weather conditions. Often in snow, rain, or wind that makes being outdoors very uncomfortable. On the contrary, I don’t find many of my “blue sky” shots to have much of a mood to them. Why the correlation between extreme weather and dramatic photos? I’m not entirely sure, but I think that the sunlight is often much softer during bad weather spells. Also, precipitation and moisture in the air create a lot of mystery and drama. Perhaps a great deal of effective nature photography lives in the surreal or sublime realms? On the other hand, embracing and emphasizing the mundane is an effective technique too, especially for street photography.
As my photography years go on, I’ve come to embrace adverse weather conditions more and more.
What weather conditions have created your most dramatic photos?
And here is a blue sky photo that I like:
This afternoon I ventured out in the cold, dangerous, and remote tundra…. Okay okay, so I was actually only a few minutes from the big local shopping mall in New Jersey. Anyhow, I was scouting the location as the sun slowly descended towards the horizon. A photographic frame came together in my mind as I walked across a small frozen pond. Why was I walking on the pond in the first place? Bodies of water often offer a clean and uncluttered midground for scenic photos and quite often rocks or vegetation on the periphery can be used very effectively to anchor the foreground of an image.
Below I have uploaded my final output jpeg, compromised of a 3 exposure HDR blend. Below that is a view of what the individual exposures looked like. Last is a snapshot of my Canon T5 DSLR and Tamron 16-300mm VC PZD lens in position for the capture.