American Rubyspot damsefly in NJ

This a recent macro insect photo I took in the region of New Jersey known as the Pinelands National Reserve, home to ecosystems and wildlife not often seen in other parts of our state.  Photography equipment utilized: Tamron SP 90mm VC F/2.8 1:1 Macro Lens and the Canon EOS 7D DSLR.  Damselflies are generally smaller than dragonflies, but fall under the same order known as odonata.  Pictured below is a male American Rubyspot damselfly, its Latin name is Hetaerina americana.

NJ insect photo

One of New Jersey’s most vivid damselflies.

I actually ended up wading in standing water that was thigh high to take this photograph.  I saw several Rubyspots perched on vegetation in this pond.  I wasn’t thrilled to get to my cargo shorts soaking wet, but I had to decide to either walk away from a photo opportunity or “dive right into the scene”.

The sunlight was fairly overcast when I snapped this shot so a fast shutter speed was not possible.  Dragging a good tripod into a pond didn’t seem like a good idea, and a tripod is not really an asset when making a still capture of an insect perched on a piece of grass with forces like water ripples and a breeze causing motion.  Handheld and fairly large aperture was the only way this shot was going to happen.

I’ve had a few people tell me that they find a 300mm lens sufficient for shooting small insects, but the reality is you are not going to get this type of highly magnified photo without a 1:1 macro lens.  In this case the fast autofocus and Vibration Compensation were also needed.  Camera settings:  1/125 F/5.0 ISO 400, VC on, Auto White Balance, RAW file format, One Shot focus in continuous drive mode.

Sea Isle Reflections

This is an impromptu composition that was dictated by the lighting conditions.  My intention for this night photography session was to photograph stars in the sky, but the punchy light from the moon and the promenade limited the definition possible in the sky.

Fine Art Landscape Photo

Fine Art Photograph taken at night at the Jersey Shore in Sea Isle City

The camera settings here are a focal length of 18mm, aperture at F/5.6 and ISO speed of 400.  Increasing the exposure would have blown out the highlights and decreasing the exposure would have rendered the scene too dark for my tastes.  I originally started off at a higher ISO but the image looked washed out so I lowered it a full ISO stop.  I do not shoot still photos in incremental ISO’s as anything other than native ISO values can deteriorate dynamic range or image quality.  Other settings: RAW file format, Auto White Balance, Mirror Lock Up, 2 Second Timer, VC (stabilization) off, tripod firmly in the sand

The composition in this photo is a pretty straight-forward rule-of-thirds setup.  The horizon is placed about 1/3 of the way down from the top of the frame and the houses occupy approximately 2/3 of the horizontal length of the frame.  Putting those elements dead center in the photo would have killed the dynamics in my opinion.

American Goldfinch DSLR video; filmed in Cape May, New Jersey

It was a real treat to get some close footage of our vibrant state bird recently.  I knew that I would want footage from several different angles to create diversity… even in a short wildlife video.  Varying the focal lengths and my angle of view on the birds was how I tackled that challenge.

Footage shot in 1080p at 30fps on the Canon EOS 7D with the tripod mounted Tamron SP 150-600mm VC zoom lens.  DSLR was set to the desired shutter speed of 1/60th of a second and I adjusted the aperture and ISO value to get as good of an exposure as possible for each clip.  Unfortunately it was a windy day so I had to strip the audio of the birds interacting and feeding.  I don’t think anyone would have enjoyed listening to the hissing and popping caused by the wind hitting the microphone outdoors.

Dusk at Sunset Beach

I was doing nature photography in various parts of Cape May this past Thursday, and had a gameplan to head to the well-known Sunset Beach area to try to make some photos of the setting sun.  My plan was foiled as the horizon clouded over as the sun began descending closer and closer to the horizon.

Cape May Dusk

A recent long exposure photo taken in Cape May, New Jersey.

With a fairly bleak sky I shifted my attention and tripod-mounted camera downwards to try to capture the water motion near the tideline.  For this capture, I have a circular 3-stop Neutral Density filter attached to my Tamron 18-270mm VC lens to allow more time for motion within the frame.  The resultant exposure time here was 30 seconds with an aperture of F/13 to have an expansive depth of field.  The ISO value of 100 provides the best image quality possible on current DSLR cameras.

The composition in this image incorporates the rule of thirds to draw the viewer in.  The dark rocks of the jetty occupy roughly 1/3 of the horizontal width of the frame and the sky occupies approximately 1/6 of the vertical height of the frame.  The misty water occupies the vast majority of the scene, but the rocks and the sky give a sense of scale and environment to the scene.

Fingers and Fretboard

A short guitar video (of myself) that I recorded and edited recently in New Jersey.

Manually prefocusing two cameras on the position my guitar would be at was a challenge in itself.  I actually took a cardboard box from a photography light stand and laid it in place as a marker for focusing.  Took me about 3 tries to really guess exactly where my Ibanez guitar would be.  I had external microphones from both cameras wired fairly close to where my small guitar amplifier was on the ground.

After setting the manual video exposures on both cameras, I started rolling and slid myself into position.  Took me about 7 minutes on this take to get a 45 second musical passage that I was happy enough with.

Video post-processing first involved syncing the full 7 minute clips by matching peaks on the audio waveforms.  After that, it was a matter of cutting to whichever video feed I wanted to be viewed for the guitar part being played.  I did some color corrections, highlight tweaks, and selective saturation before rendering out the AVI file.

 

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Wildlife Filming Equipment

Wildlife Filming Equipment

Tamron 150-600mm VC Telephoto Lens
Canon EOS 60D
Rode VideoMic GO microphone (just purchased from Unique Photo in Fairfield NJ)

Equipment used for shot:
Canon EOS 7D DSLR Camera.
Tamron 90mm VC Macro Lens.
Cowboy Studio Fluorescent Light + Window Light

Macro flash and video LED setup

Macro flash and video LED setup

Canon 7D + Tamron 180mm SP Macro lens. A straight flash bracket is attached to the camera body, my Canon Speedlite 270exII is mounted on top of a Giottos mini ballhead. The Speedlite head is covered by my homemade diffuser (actually a plastic coffee “tin”), and today I glued a cold shoe mount on top of the diffuser to mount a Manfrotto ML120 Pocket-12 LED Light for shooting macro videos at night.

Lies brand t-shirt photoshoot

DRB Photo Gear

Dave Blinders Strobes, Camera, and Lens

I did a quick inpromptu photoshoot last night in Northern New Jersey for my friend Joe who runs his own small skateboarding T-shirt business in his spare time. Knowing in advance that I’d be working in close confines, I thought one Alien Bees AB800 Strobe with a stripbox style box, a Canon 580exII with Opteka grid, my Canon 60D dslr, and Tamron 18-270mm VC lens would allow me plenty of diversity and lighting and composing options.

rimlighting portraiture by drb

Joe in rim lighting

Tamron 18-270mm VC, Canon 60D, and gridded 580ExII off-camera to subject’s left

girls holding skateboard

Korynne and Carmela holding skateboard deck

Tamron 18-270mm, Canon 60D, and AB800 w/ stripbox angled slightly from camera right

man in skate tee

Joe wearing his own branded T-shirt

Tamron 18-270mm Lens, Canon 60D, Gridded Canon 580exII Speedlight angled from slightly above subject

girl in skateboard t-shirt

Korynne in navy blue Lies T-shirt

Tamron 18-270mm VC, Canon 60D, AB800 strobe slightly above and right of subject

man in skateboarding t-shirt

Joe wearing one of his designs in white

Tamron 18-270mm VC Lens, Canon 60D, Gridded 580exII Speedlight aimed towards subject’s chest, AB800 on minimum power from subject’s right

girl in skateboard t-shirt

Carmela wearing black Lies t-shirt

Tamron 18-270mm Lens, Canon 60D, AB800 in stripbox slightly above and right of subject

girl in skateboard tank top

Korynne wearing blue Lies tank top

Tamron 18-270mm VC Lens, Canon 60D, 580exII Speedlight w/ Opteka Grid coming in from camera left

If you have any questions about the equipment, techniques, clothing line, or contacting the models please leave your information in the comments section or contact me via facebook.

Self-Critique on a photo I took today

Image

From a VERY quick walk in this frigid weather.

Instinctively, I critique all of my photos on a technical and compositional basis when I review them.

Sometimes I notice things I couldn’t see through the viewfinder. In this particular shot, the small brown blur towards to the top left is an “error” in my opinion. It’s probably a distant dead leaf, and I feel it detracts a bit from the photo.

I would have removed it physically if I had noticed through the viewfinder. However, I do not like to alter my nature shots in post-processing, and I prefer not to crop. I do my best to present the scene as it was. I did though, move the feather from a pricker bush on the ground, to an elevated and isolated branch to make the shot. It blew away seconds later and I’m lucky I got a shot at all.

I did shoot a few frames at an aperture of F/4 also (presented shot is F/2.8).  The increased aperture brought nice detail into the feather, however I did not like the background elements that starting coming into focus.

Telephotos for Landscape Photography

I typically shoot landscape/scenic photos with pretty wide lenses (somewhere between 10mm and 40mm), but in this case the stand of trees I wanted to isolate was a bit too far away for lenses of that category.  Having a lens arsenal that includes a medium telephoto helped eliminate most of the distracting foreground foliage, and halted the need for walking through mud and swampy areas.

Trees in the Fog

Morning Fog at Big Cypress

This particular shot was taken with a tripod mounted Tamron 70-300mm VC lens, zoomed to 200mm.