Expressing motion in photography: Laughing Gull in flight

Plenty of terms for the type of DSLR photography illustrated in the main image below and to tell you the truth I don’t even know what to call them.  Panning blurs may be the most logical terminology in my opinion.  Anyways, I often forget how much I enjoy looking at this type of capture.  It seems to boil the bird down to its very essence: shapes and colors.

Larus delawarensis

Photo demonstrating intentional use of a slow shutter speed along with panning of a telephoto lens.

Picture taken using a Canon EOS 7D and the Tamron SP 150-600mm VC telephoto lens.  Tripod lens collar is mounted to Manfrotto 055xProB tripod and Manfrotto junior fluid head.  Camera settings: focal length at 600mm, Manually set shutter at 1/30th, aperture at F/14, ISO 100, Camera RAW, Auto White Balance, VC On, Servo Focus Mode, High Speed Motor Drive.  Photography location: Ocean County, New Jersey.  Atlantic Ocean that is…

This type of photo can sometimes be performed in Aperture Priority mode by using a low ISO and large Aperture number to slow down the shutter.  The shutter speeds that usually work best for me are between 1/13th and 1/50th.  Your mileage may vary.  My goal when preparing for this kind of shot is to get a good amount of definition on the wildlife while emphasizing some motion (in this case the wing beats).  I also want a nice bright exposure that will retain a lot of details in the highlights but still have my histogram as far to the right as possible for maximum detail.  Compositionally speaking, I may be looking to place the bird prominently in the frame without cutting off any appendages or I may want try to include some scenery like showing the bird flying across the water’s surface.  There is a great deal of trial and error in this style of photography.  Patience, persistence, and studying other photog’s successful photos will go a long. way.

Expressing motion in photography: Beach Grass and Crescent Moon

When I first began doing photography, I thought that the prime objective was to freeze all action to record a moment in time.  Getting a sharp capture of a fleeting moment can indeed be difficult, whether it is a closeup view of the supermoon rising on the horizon, a sports photograph like a MLB baseball player nailing a fastball, or a bird photo like trying to shoot a tiny Tree Swallow mid-air.  There is also great validity to having motion within your frame.  In some cases, this can evoke moods like quickly fleeting action or on the other hand, serenity.

NJ Shore Night Photo

DSLR Nature Photograph from New Jersey showcasing how motion caused by wind can express time and add further dynamics to an image.

The above image was taken recently at the New Jersey Shore using a tripod-mounted Canon EOS 60D camera and the Tamron SP 90mm VC 1:1 F/2.8 Macro Lens.  Camera settings in manual exposure: 2.5 seconds F/7.1 ISO 100.  VC off (lens stabilization motor), Mirror Lock-up, 2 Second Timer, One Shot Autofocus (near the middle of the grass), and Auto White Balance.

I think the crescent moon has a really great distinctive shape, a shape I generally associate with a peaceful sky.  The grass that I have included within the frame is typical vegetation of the mid-Atlantic shoreline, so this gives a nice sense of orientation for the viewer.  For others, the grass may be reminiscent of a prairie or meadow.  The back and forth motion of the blades of grass tell us that time is passing, and also gives the photo a much softer edged appearance than a motionless capture.  I did shoot several similar frames, but in the other images I actually felt there was too much motion and not enough definition on the grass.