I recently shot a few very short HD DSLR Video clips of one of the more common and easily recognizable wading birds in New Jersey, a Snowy Egret. My personal goal for wildlife still photography had as been 2 archival quality captures of any subject that I found interesting. Archival quality captures to me means focus is spot-on, exposure will not require significant post-processing, and the composition is pleasing to my eyes. I also try to avoid repetition in my photos. I’ve “upped the ante” on my nature shooting goals, and will now also try to film 1 or 2 quick sequences when I am in the outdoors.
Back to the point, I had been shooting all of my recent photos with a ballhead on my tripod. Having no experience with fluid tripod heads, but realizing their importance in the video industry I started doing some research. I already have Manfrotto RC2 quick release plates attached to most of my cameras and lenses so I wanted a fluid head that was designed for the RC2 plate. I wound up purchasing a Manfrotto 128RC Micro Fluid Head and it has remained atop my 055x ProB tripod ever since. This allows me to perform the steady panning motions needed for dynamic video work.
The above video was filmed using the Tamron SP 150-600mm VC Lens and the Canon EOS 7D. Manual video mode settings include: ISO 100 F/14 and the Shutter Speed set to 1/80th. I muted original audio from the clips in post-processing because of the loud hissing of the wind. Guitar playing is me strumming my Washburn D10 Guitar, and I ended up recording this with my Samsung cellular phone. Audio post-processing involved noise reduction, addition of a Phaser Effect, and overall Volume Reduction. Video post-processing included trimming video segments, cross-fade transitions between shots, contrast enhancements, and split-tone color processing.