Right Place, Right Time

Sometimes it just pays to be lucky in photography, and that’s pretty much how I came across this wildlife photo opportunity. Anticipating possible action, being prepared, and visualizing how to maximize the opportunity are also very helpful.

Salamander eating

Red Eft and Earthworm

I like to do my photography rounds with two camera bodies ready to shoot and two distinctly different focal lengths. Generally, I will have either a macro lens or a wide angle lens on one DSLR and a longer telephoto lens (400mm) mounted on the other camera. Currently, no all-in-one zoom or all-in-one camera can match the image quality attainable using specialized lenses as standardized charts and personal experience have taught me.

How else can you be prepared? Remove the lens caps in advance, leave your DSLR switched on (they go into convenient standby mode anyways), and have the camera settings attuned to the current ambient lighting situation as best as possible. A formatted memory card and extra batteries are a must for me as well.

Maximizing the opportunity:
Let’s talk about this particular shot. I did not immediately realize there was a tiny amphibian chowing down in front of me as I don’t have superhuman vision, but once I did I knew that I wanted to get in as close possible to emphasize the action, to allow my macro flash setup to illuminate the key elements, and to eliminate the need to crop my final photo and waste valuable megapixels of the image. Cropping reduces the maximum print size of an image, and also emphasizes imperfections like noise (film grain).

Luck?  Well you’re one your own with that one.

On Snake photography…

I find it’s hard to take a great snake photo. One of the main issues is that there elongated body shape is not naturally conducive to the aspect ratio of a photograph, unless you are shooting panoramas. My personal opinion is that going in close for just a headshot of wildlife often yields great detail, but may also remove artistic longevity from the final image. Alternatively, it is very difficult to compose a compelling wideangle photograph of most wildlife for a variety of reasons. One being that their habitat is often simply too cluttered to create a compelling frame. Another reason is obviously that most wildlife is generally on the move, so you aren’t typically going to have the chance to to compose something grandiose.

Snake

Black Ratsnake; juvenile

I am fairly satisfied with this photo, because the snake coiled in a way (striking position) that allowed me to get close enough to eliminate a largely distracting background. At the same time, I was not only lucky enough to get a bit of its body in the frame, but I was also able to shoot a frame where the snake’s head was in profile. This was also difficult as this wary and aggravated snake really did not trust me to take its eyes off of me for very long.