Dusk at Sunset Beach

I was doing nature photography in various parts of Cape May this past Thursday, and had a gameplan to head to the well-known Sunset Beach area to try to make some photos of the setting sun.  My plan was foiled as the horizon clouded over as the sun began descending closer and closer to the horizon.

Cape May Dusk

A recent long exposure photo taken in Cape May, New Jersey.

With a fairly bleak sky I shifted my attention and tripod-mounted camera downwards to try to capture the water motion near the tideline.  For this capture, I have a circular 3-stop Neutral Density filter attached to my Tamron 18-270mm VC lens to allow more time for motion within the frame.  The resultant exposure time here was 30 seconds with an aperture of F/13 to have an expansive depth of field.  The ISO value of 100 provides the best image quality possible on current DSLR cameras.

The composition in this image incorporates the rule of thirds to draw the viewer in.  The dark rocks of the jetty occupy roughly 1/3 of the horizontal width of the frame and the sky occupies approximately 1/6 of the vertical height of the frame.  The misty water occupies the vast majority of the scene, but the rocks and the sky give a sense of scale and environment to the scene.

Just another Macro Monday

Sometimes when I head outside to do nature photography, a few nice shots quickly present themselves to me.  Other times, I am outside for hours and the subjects are not cooperating or I just can’t find anything that catches my eye.  3 hours had gone by after lugging around 2 cameras in a local meadow today and it looked like it was time to throw in the towel.  Low and behold, a charismatic insect in a charismatic setting was found while returning to my car.

Ladybug

Asian Lady Beetle atop a white blossom (probably Queen Anne’s Lace).

The above photo was taken with the Tamron SP 90mm VC Macro Lens and a Canon EOS 7D.  It is generally my preference to shoot from a tripod but when your subject is blowing from a breeze I find that a tripod can actually become an obstacle to getting the capture.  The sky had clouded over at this point in the day so I switched the exposure to full manual controls to ensure a proper bright image.  At ISO 400, which I consider my upper threshold for daytime macro shooting, I was still limited to a low shutter speed. 

Choosing a fairly large aperture of F/3.2 allowed more light to hit the camera’s sensor and provided a “dreamy” rendition of the white blossoms.  Composition-wise I thought that executing a vertical photo would create a more dynamic picture and the Beetle is in pretty good compliance with the Rule of Thirds.  I did have to shoot at least a dozen frames with the VC (Vibration Compensation) on.  1/100 of a second is not a very fast shutter speed to freeze a small fragile plant swaying in the breeze and increasing the ISO would degrade the image quality too much for my liking.  Nature photography does take a good deal of tenacity and perseverance in my opinion, but a few sharp shots a day keeps the grumpy Dave’s away.

Getting even closer: Tamron’s new 14-150mm “all-in-one” zoom lens

Getting even closer: Tamron’s new 14-150mm “all-in-one” zoom lens.

Lies brand t-shirt photoshoot

DRB Photo Gear

Dave Blinders Strobes, Camera, and Lens

I did a quick inpromptu photoshoot last night in Northern New Jersey for my friend Joe who runs his own small skateboarding T-shirt business in his spare time. Knowing in advance that I’d be working in close confines, I thought one Alien Bees AB800 Strobe with a stripbox style box, a Canon 580exII with Opteka grid, my Canon 60D dslr, and Tamron 18-270mm VC lens would allow me plenty of diversity and lighting and composing options.

rimlighting portraiture by drb

Joe in rim lighting

Tamron 18-270mm VC, Canon 60D, and gridded 580ExII off-camera to subject’s left

girls holding skateboard

Korynne and Carmela holding skateboard deck

Tamron 18-270mm, Canon 60D, and AB800 w/ stripbox angled slightly from camera right

man in skate tee

Joe wearing his own branded T-shirt

Tamron 18-270mm Lens, Canon 60D, Gridded Canon 580exII Speedlight angled from slightly above subject

girl in skateboard t-shirt

Korynne in navy blue Lies T-shirt

Tamron 18-270mm VC, Canon 60D, AB800 strobe slightly above and right of subject

man in skateboarding t-shirt

Joe wearing one of his designs in white

Tamron 18-270mm VC Lens, Canon 60D, Gridded 580exII Speedlight aimed towards subject’s chest, AB800 on minimum power from subject’s right

girl in skateboard t-shirt

Carmela wearing black Lies t-shirt

Tamron 18-270mm Lens, Canon 60D, AB800 in stripbox slightly above and right of subject

girl in skateboard tank top

Korynne wearing blue Lies tank top

Tamron 18-270mm VC Lens, Canon 60D, 580exII Speedlight w/ Opteka Grid coming in from camera left

If you have any questions about the equipment, techniques, clothing line, or contacting the models please leave your information in the comments section or contact me via facebook.

Self-Critique on a photo I took today

Image

From a VERY quick walk in this frigid weather.

Instinctively, I critique all of my photos on a technical and compositional basis when I review them.

Sometimes I notice things I couldn’t see through the viewfinder. In this particular shot, the small brown blur towards to the top left is an “error” in my opinion. It’s probably a distant dead leaf, and I feel it detracts a bit from the photo.

I would have removed it physically if I had noticed through the viewfinder. However, I do not like to alter my nature shots in post-processing, and I prefer not to crop. I do my best to present the scene as it was. I did though, move the feather from a pricker bush on the ground, to an elevated and isolated branch to make the shot. It blew away seconds later and I’m lucky I got a shot at all.

I did shoot a few frames at an aperture of F/4 also (presented shot is F/2.8).  The increased aperture brought nice detail into the feather, however I did not like the background elements that starting coming into focus.

Minimalism in Nature

Went for a walk in one of my favorite nature areas in New Jersey yesterday morning, Mahlon Dickerson Reservation in Jefferson.  Optimistically, I had a wildlife lens mounted, and my macro flash unit also ready to go for smaller critters.  However, no opportunities like that materialized for me.

I noticed a bare sapling near the mostly frozen stream’s edge, and originally thought I’d isolate the entire sapling against the simple background.  I shot a few broader frames, but felt they all lacked any prominent shapes or visual guidance.  I zoomed in a bit with my zoom lens and also my tripod to see how this small single branch with a nice diagonal orientation and prominent juttings could possibly fill the frame.

I liked the frame, but the remaining problem was one unsightly rock just barely jutting from the ice’s surface.  Next step was locating a leaf in decent shape, and using a stick to push it into position to mask the rock.  Little did I know, the now juxtaposed leaf would become my favorite part of the shot.  A polarizing filter was also necessary to remove glare, especially since a small layer of melt water was sitting on top of the ice and reflecting sunlight and the surrounding trees.

New Jersey Nature Photo

Branch, Ice, and Leaf

Tamron 18-270mm VC lens @ f/16, 1/20s, ISO 200 on a tripod mounted Canon 50D.  Mirror lock-up and camera timer used to maximize sharpness.

,,,

Tamron Lens Arsenal for Upcoming Florida Trip

Weather permitting, I will be flying out of New Jersey to South Florida on Saturday morning in an attempt to capture as many aspects of nature as possible.

Tamron Lenses

Tamron 70-300 VC, Tamron 90mm VC Macro, and Tamron 10-24mm

 

Utilizing Tamron’s line of professional grade lenses (SP), I should be ready to tackle scenery, details, and wildlife.  All I need now is mother nature to cooperate!

Self-portrait with Strat

I dusted off my Alien Bee’s AB800 strobe to prep for some portrait work, draped my black muslin over my backdrop holder, manually pre-focused my 17-40mm lens (very small working conditions), and was happy to come up with this self-portrait.

DRB 2013

Self-portrait with Strat

I’m actually sitting on an unseen stool here, so that was what I prefocused the lens on.  I thought I’d try a pretty stark sidelighting angle with the AB800 angled slightly downward on camera left to create a “masculine lighting effect”.  I do have the diffused beauty dish adapter, so I left that mounted on the AB800.  I’m happy that there was not much light spilling on the background, which helps contribute to the somber and mysterious mood of this image.

One of the best parts of shooting on black is not worrying about background exposures!

 

 

For the birds…

This was one of my favorite recent bird photos. Getting a sharp close photo of any songbird is usually somewhat of an accomplishment, but capturing one doing something “cutesy” can be especially endearing.

NJ Bird photo

White-throated Sparrow

This photo was largely the result of right time, right place. But composition-wise I knew I wanted a bit of negative space on the right side of the frame, so the image would not appear too crammed. I went with an aperture of F/7.1 to pull some of the vegetation into focus as well as ensure decent sharpness throughout the bird’s body.

Solutions…

I know this is a ridiculous looking photo, but this is actually my own image, and a setup that I do use from time to time. A great amount of my nature photography is wildlife based, and wielding a super telephoto lens around through the woods and wetlands means having a dedicated tripod with a heavy duty head. That is fine and good, but I hate being limited while I’m exploring, and feel a bit naked not having an easily tripod mountable macro or all-in-one lens to fall back on too.

Stacked DSLRs

Super Telephoto and Macro Lens Solution

Pictured here are two of my Canon DSLRs, the top camera with my Tamron 90mm VC macro lens is bound to my Canon 500mm f/4 setup via a Gorillapod Focus (portable tripod). Granted there are plenty of opportunities for the whole combination to swing and sway, yet I am still able to get some macro shots from the top camera using low ISO speeds for maximum image quality.

Note that I don’t walk around with them bound together like this, as it isn’t entirely stable. Generally I sling the big tripod + big lens over my shoulder, while wearing the smaller camera with Gorillapod connected to it around my neck. I connect the 2 setups only when I am going to shoot with the top camera.  It ain’t foolproof and it ain’t pretty, but sometimes it does what I need it to do.

If you have a better solution, please let me know!